Palace Arts Journal, the first newspaper in the world to focus exclusively on art in Dzs Palaces, is still in its final stages of construction, but its staff and its staff of readers are already in awe.
“I have never seen a newspaper so full of life and excitement,” said Dzsi Pemilowski, a freelance journalist based in the Czech Republic.
“We are waiting for the doors to open, waiting for a glimpse of the palace that we will finally see.”
It was the beginning of the end of a project to tell the story of the museum’s life, which has been in a state of limbo since the end, in late 2013, of the last palace exhibition.
The project was an ambitious project for Dzsa, a project that was meant to connect the museum to the public, and the public to the museum, in order to inspire and inform them.
At the time, Dzssa was one of the world’s oldest art museums.
Today, it is one of its smallest, with just 6,000 square meters of space, and has been the subject of criticism from those who claim the building was poorly designed.
“The construction of the building, the design of the site, and its materials are all a part of what makes it such a landmark in the city of Prague,” said Pemilski, who is a freelance photographer based in Prague.
“Its a building that belongs to a very important person who created the history of art in this country.
Its the most important art museum in the country.
This is the museum that changed Prague.
Its a monument to history.”
In addition to the work to build the museum itself, the project also involved the renovation of a number of structures inside the building.
“For this project, I used a lot of traditional materials,” said a museum official who wished to remain anonymous.
“When we had to work with concrete, concrete did not have to be a problem because of the way the building is built.
The whole building is made from concrete.
We had to use old metal, which is not as expensive as concrete.”
The first phase of the project was finished in 2013, and a number more of the structures have since been replaced.
The most expensive part of the renovation, however, was the construction of a roof over the museum.
“It is an old building, but it is a roof, it’s an extension of the roof that extends around the building,” said the museum official.
“And we built this roof over it.
We did not do this with the intention of covering the building.”
After the renovation was completed, the work started to take shape.
The first two phases of the interior were finished in 2017 and 2018.
The work included the construction and installation of an outdoor sculpture garden, which was then used for public art performances and exhibitions.
“After this, we had the renovation that took place at the end,” said another museum official, who wished not to be named.
“Our main concern was the preservation of the art in the building so that the building would be a symbol of the history that this place has.”
The project began in 2015, and construction on the third phase began in 2016.
Pemiltski says that the work on the roof started in 2017, and it was completed in 2019.
“At the beginning, the roof was made of a piece of wood and concrete, and then we used the same material for the rest of the structure,” she said.
“This was the second phase, the third and the fourth.
I did not know how long it would take to complete all of it.”
In 2016, the second and final phase of construction began.
“They wanted to add more, and that was how we started the construction,” said Jana Šejřska, the curator of the Dzsd Museum.
The second phase of work was the roof and garden.
“What we started was a roof that extended around the entire building,” Šecska said.
In 2018, the building began to be used for live performances, which have since expanded to include events and festivals.
“There are a lot more events happening right now than there were five years ago,” Řecskaska said, noting that events are also on the rise in the museum now. “Dzs Dzsyža is still a small, small museum.
We have not added to the capacity of this building.
We need to keep that number of visitors at a minimum.”
The third and fourth phases of work are also the largest and most complex.
Šekkal, who works at the museum for several years, said that they have a plan for the fourth phase.
“In the second stage, we started with a large roof and a new garden,” he said.
The fourth and final phases of construction have begun, but the second one